An in-depth study of Lord and Lady Llanover

High Hats and Harps

The Life and Times of Lord and Lady Llanover

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Lady Llanofer - the Bee of Gwent

 

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Copyright
Helen Forder
2004

The Triple Harp
from The Cambrian, 25th June 1869

Agitation promises to do something for this national instrument. The journals of the Principality have taken up the matter warmly. So also, have some of the influential Welsh families; and, lastly, the Eisteddfod Council is stirring with a considerable show of zeal. One result, so far, has been the appointment of Lady Llanover's blind harper, Thomas Gryffydd [sic], to be harper extraordinary to the Prince of Wales; and another is the issue by Mr. Mostyn Williams, the new and energetic secretary to the Eisteddfod, of the following circular, which we hope, in the interest of a curious and valuable national relic, will find a hearty response:-

Triple Harp

"The secretary of the Eisteddfod begs respectfully to call the attention of his countrymen to the following letter from the eminent musical composer, Mr. Brinley Richards, and to an article which lately appeared in the 'Carnarvon and Denbigh Herald.' The object of preserving our national instrument, and restoring, if possible, its ancient prestige, must commend itself to the favourable consideration of every true patriot. Emanating from a source where no selfish motives can exist, and pleaded with so much earnestness, from faith in the intrinsic merits of the instrument itself, independent of its historical associations, the case needs no further advocacy. As a matter of fact, it must be admitted, that the old triple harp is fast falling into desuetude. A few specimens may be found here and there, more as objects of curiosity, and relics of bygone days, than instruments to be played upon in this mechanical and utilitarian age. Two means have been suggested for the restoration of the 'harp of Wales.' The assistance of our aristocracy and gentry, on the one hand, and the co-operation of the national Eisteddfod on the other. The Welsh nation is greatly indebted to Lady Llanover for what she has done to preserve and promote its music and literature. The soul-stirring sounds of a Welsh harp re-echo through her ancestral hall, awakened by a most skilful minstrel. At Bodelwyddan Hall, the seat of Sir H. Williams, the same ancient custom prevails, and in other private families the playing of our national instrument is cultivated as an accomplishment. It is to be hoped the appeal now made, originating as it now does in the genuine patriotism of one who thoroughly understands the subject, and supported as it has been by gentlemen of taste and learning, as well as by the newspaper press throughout the country, will meet with the response it deserves from all classes alike, and that our neglected instrument will become once more familiar. The secretary, on behalf of the Eisteddfod Council, has great pleasure in stating that the Welsh harp will form an important feature in their future arrangements. In addition to Mr. Brinley Richards's offer for the Brecon Eisteddfod of 1870, which is to be under his musical direction, they intend to invite competition in the manufacture of triple-stringed harps, which shall combine elegance of design, beauty of adornment, sweetness of tone, and economy. They will also endeavour to establish a department for the qualification of teachers, and do all in their power to restore the harp to its ancient position. The co-operation of everyone who feels an interest in the subject is invited, and any suggestion of a practical character will be thankfully received."

 

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